February is Black History Month, so we've curated a virtual display of ebooks with nonfiction, fiction, and poetry written by black writers and/or about the Black experience.
The abolition of slavery after the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked 'a new birth of freedom' in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? Gates uncovers the roots of structural racism in our own time, while showing how African-Americans after slavery combatted it by articulating a vision of a 'New Negro' to force the nation to recognise their humanity and unique contributions to the United States.
The blaxploitation movement, which began in 1970 and flourished until 1975, is characterized by films that feature a black hero or heroine, black supporting characters, a predominately black urban setting, a display of black sexuality, excessive violence, and a contemporary rhythm and blues soundtrack. Blaxploitation films were made across varying genres, but the questionable elements of some of the pictures caused them to be referred to as "blaxploitation" films with little or no regard given to their generic categorization. This book examines how Cotton Comes to Harlem (1970), Blacula (1972), The Mack (1973), and Cleopatra Jones (1973) can be classified within the detective, horror, gangster, and cop action genres, respectively, and illustrates the manner in which the inclusion of "blackness" represents a significant revision to the aforementioned genres.
Antiracism Inc. traces the ways people along the political spectrum appropriate, incorporate, and neutralize antiracist discourses to perpetuate injustice. It also examines the ways organizers continue to struggle for racial justice in the context of such appropriations. Antiracism Inc. reveals how antiracist claims can be used to propagate racism, and what we can do about it.
What started as a hashtag in 2013 quickly grew into the Black Lives Matter movement. Black Lives Matter examines the police shootings that fueled the movement, the events that led up to racial tensions in the United States, and the goals the movement has set for the future. Easy-to-read text, vivid images, and helpful back matter give readers a clear look at this subject. Features include a table of contents, infographics, a glossary, additional resources, and an index. Aligned to Common Core Standards and correlated to state standards. Core Library is an imprint of Abdo Publishing, a division of ABDO.
Afrocentrism and its history has long been disputed and controversial. In this important book, Wilson Moses presents a critical and nuanced view of the issues. Tracing the origins of Afrocentrism since the eighteenth century, he examines the combination of various popular mythologies, some of them mystical and sentimental, others perfectly reasonable. This is a rich history of black intellectual life and the concept of race.
In this new interpretation of antebellum slavery, Anthony Kaye offers a vivid portrait of slaves transforming adjoining plantations into slave neighborhoods. He describes men and women opening paths from their owners' plantations to adjacent farms to go courting and take spouses, to work, to run away, and to otherwise contend with owners and their agents. In the course of cultivating family ties, forging alliances, working, socializing, and storytelling, slaves fashioned their neighborhoods into the locus of slave society.
A finalist for the 2015 National Book Award and the National Book Critics Circle Award A dazzling new collection of poetry by Terrance Hayes, the National Book Award-winning author of Lighthead In How to Be Drawn, his daring fifth collection, Terrance Hayes explores how we see and are seen.
The Combahee River Collective, a path-breaking group of radical black feminists, was one of the most important organizations to develop out of the antiracist and women's liberation movements of the 1960s and 70s. In this collection of essays and interviews edited by activist-scholar Keeanga-Yamahtta Taylor, founding members of the organization and contemporary activists reflect on the legacy of its contributions to Black feminism and its impact on today's struggles.
Sister Days offers you a daily invitation to share in the life-affirming legacy of African American women. Here are 365 uplifting meditations on courage, daring, and resistance that bring us valuable reminders of how real women in real times-from Harriet Tubman to aviator Bessie Coleman to Wild West legend "Stagecoach Mary" to world-renowned writer Maya Angelou-created a better way of life for themselves and a better world for others. In reading their stories, we ensure that these women live on-as shining beacons to light our own quests for happier, more fulfilled lives.
In this wise, beguiling, and beautiful novel set in the era of the Civil War, award-winning playwright and author J. California Cooper paints a haunting portrait of a woman named Always and four generations of her African-American family.
Drawing on more than thirty years of teaching and research, Neil A. Wynn combines narrative history and primary sources as he locates the World War II years within the long-term struggle for African Americans' equal rights.
The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity.
In one of the few book-length treatments of the subject, Nina Mjagkij conveys the full range of the African American experience during the "Great War." … nearly 370,000 black soldiers served in the military during the war, and some 400,000 black civilians migrated from the rural South to the urban North for defense jobs. Following the war, emboldened by their military service and their support of the war on the home front, African Americans were determined to fight for equality.
An award-winning poet's testimony of the war in Vietnam.
In this long-term community study of the freedom movement in rural, majority-black Claiborne County, Mississippi, Emilye Crosby explores the impact of the African American freedom struggle on small communities in general and questions common assumptions that are based on the national movement.
A striking and surprising debut novel from an exhilarating new voice, Such a Fun Age is a page-turning and big-hearted story about race and privilege, set around a young black babysitter, her well-intentioned employer, and a surprising connection that threatens to undo them both.
Over the past decade the popularity of black writers including E. Lynn Harris and Terry McMillan has been hailed as an indication that an active African American reading public has come into being. Yet this is not a new trend; there is a vibrant history of African American literacy, literary associations, and book clubs. Forgotten Readers reveals that neglected past, looking at the reading practices of free blacks in the antebellum north and among African Americans following the Civil War. It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation as a means to assert their civic identities and intervene in the political and literary cultures of the United States from which they were otherwise excluded.
This widely-heralded collection of remarkable documents offers a view of African American religious history from Africa and early America through Reconstruction to the rise of black nationalism, civil rights, and black theology of today. The documents--many of them rare, out-of-print, or difficult to find--include personal narratives, sermons, letters, protest pamphlets, early denominational histories, journalistic accounts, and theological statements.
Assembling a range of interviews, essays, and conversations, Sisters in the Life tells a full story of African American lesbian media-making spanning three decades. In essays on filmmakers, the contributors center the voices of black lesbian media makers while underscoring their artistic influence and reach as well as the communities that support them. Sisters in the Life marks a crucial first step in narrating the history and importance of these compelling yet unsung artists.
Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys unjustly sentenced to a hellish reform school in Jim Crow-era Florida. Winner of the 2020 Pulitzer Prize for Fiction.
As the story of the United States was recorded in pages written by white historians, early-nineteenth-century African American writers faced the task of piecing together a counterhistory: an approach to history that would present both the necessity of and the means for the liberation of the oppressed. In Liberation Historiography, John Ernest demonstrates that African Americans created a body of writing in which the spiritual, the historical, and the political are inextricably connected. Their literature serves not only as historical recovery but also as historical intervention.
The abolition of slavery after the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked 'a new birth of freedom' in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? Gates uncovers the roots of structural racism in our own time, while showing how African-Americans after slavery combatted it by articulating a vision of a 'New Negro' to force the nation to recognise their humanity and unique contributions to the United States.
The blaxploitation movement, which began in 1970 and flourished until 1975, is characterized by films that feature a black hero or heroine, black supporting characters, a predominately black urban setting, a display of black sexuality, excessive violence, and a contemporary rhythm and blues soundtrack. Blaxploitation films were made across varying genres, but the questionable elements of some of the pictures caused them to be referred to as "blaxploitation" films with little or no regard given to their generic categorization. This book examines how Cotton Comes to Harlem (1970), Blacula (1972), The Mack (1973), and Cleopatra Jones (1973) can be classified within the detective, horror, gangster, and cop action genres, respectively, and illustrates the manner in which the inclusion of "blackness" represents a significant revision to the aforementioned genres.
Antiracism Inc. traces the ways people along the political spectrum appropriate, incorporate, and neutralize antiracist discourses to perpetuate injustice. It also examines the ways organizers continue to struggle for racial justice in the context of such appropriations. Antiracism Inc. reveals how antiracist claims can be used to propagate racism, and what we can do about it.
What started as a hashtag in 2013 quickly grew into the Black Lives Matter movement. Black Lives Matter examines the police shootings that fueled the movement, the events that led up to racial tensions in the United States, and the goals the movement has set for the future. Easy-to-read text, vivid images, and helpful back matter give readers a clear look at this subject. Features include a table of contents, infographics, a glossary, additional resources, and an index. Aligned to Common Core Standards and correlated to state standards. Core Library is an imprint of Abdo Publishing, a division of ABDO.
Afrocentrism and its history has long been disputed and controversial. In this important book, Wilson Moses presents a critical and nuanced view of the issues. Tracing the origins of Afrocentrism since the eighteenth century, he examines the combination of various popular mythologies, some of them mystical and sentimental, others perfectly reasonable. This is a rich history of black intellectual life and the concept of race.
In this new interpretation of antebellum slavery, Anthony Kaye offers a vivid portrait of slaves transforming adjoining plantations into slave neighborhoods. He describes men and women opening paths from their owners' plantations to adjacent farms to go courting and take spouses, to work, to run away, and to otherwise contend with owners and their agents. In the course of cultivating family ties, forging alliances, working, socializing, and storytelling, slaves fashioned their neighborhoods into the locus of slave society.
A finalist for the 2015 National Book Award and the National Book Critics Circle Award A dazzling new collection of poetry by Terrance Hayes, the National Book Award-winning author of Lighthead In How to Be Drawn, his daring fifth collection, Terrance Hayes explores how we see and are seen.
The Combahee River Collective, a path-breaking group of radical black feminists, was one of the most important organizations to develop out of the antiracist and women's liberation movements of the 1960s and 70s. In this collection of essays and interviews edited by activist-scholar Keeanga-Yamahtta Taylor, founding members of the organization and contemporary activists reflect on the legacy of its contributions to Black feminism and its impact on today's struggles.
Sister Days offers you a daily invitation to share in the life-affirming legacy of African American women. Here are 365 uplifting meditations on courage, daring, and resistance that bring us valuable reminders of how real women in real times-from Harriet Tubman to aviator Bessie Coleman to Wild West legend "Stagecoach Mary" to world-renowned writer Maya Angelou-created a better way of life for themselves and a better world for others. In reading their stories, we ensure that these women live on-as shining beacons to light our own quests for happier, more fulfilled lives.
In this wise, beguiling, and beautiful novel set in the era of the Civil War, award-winning playwright and author J. California Cooper paints a haunting portrait of a woman named Always and four generations of her African-American family.
Drawing on more than thirty years of teaching and research, Neil A. Wynn combines narrative history and primary sources as he locates the World War II years within the long-term struggle for African Americans' equal rights.
The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity.
In one of the few book-length treatments of the subject, Nina Mjagkij conveys the full range of the African American experience during the "Great War." … nearly 370,000 black soldiers served in the military during the war, and some 400,000 black civilians migrated from the rural South to the urban North for defense jobs. Following the war, emboldened by their military service and their support of the war on the home front, African Americans were determined to fight for equality.
An award-winning poet's testimony of the war in Vietnam.
In this long-term community study of the freedom movement in rural, majority-black Claiborne County, Mississippi, Emilye Crosby explores the impact of the African American freedom struggle on small communities in general and questions common assumptions that are based on the national movement.
A striking and surprising debut novel from an exhilarating new voice, Such a Fun Age is a page-turning and big-hearted story about race and privilege, set around a young black babysitter, her well-intentioned employer, and a surprising connection that threatens to undo them both.
Over the past decade the popularity of black writers including E. Lynn Harris and Terry McMillan has been hailed as an indication that an active African American reading public has come into being. Yet this is not a new trend; there is a vibrant history of African American literacy, literary associations, and book clubs. Forgotten Readers reveals that neglected past, looking at the reading practices of free blacks in the antebellum north and among African Americans following the Civil War. It places the black upper and middle classes within American literary history, illustrating how they used reading and literary conversation as a means to assert their civic identities and intervene in the political and literary cultures of the United States from which they were otherwise excluded.
This widely-heralded collection of remarkable documents offers a view of African American religious history from Africa and early America through Reconstruction to the rise of black nationalism, civil rights, and black theology of today. The documents--many of them rare, out-of-print, or difficult to find--include personal narratives, sermons, letters, protest pamphlets, early denominational histories, journalistic accounts, and theological statements.
Assembling a range of interviews, essays, and conversations, Sisters in the Life tells a full story of African American lesbian media-making spanning three decades. In essays on filmmakers, the contributors center the voices of black lesbian media makers while underscoring their artistic influence and reach as well as the communities that support them. Sisters in the Life marks a crucial first step in narrating the history and importance of these compelling yet unsung artists.
Colson Whitehead brilliantly dramatizes another strand of American history through the story of two boys unjustly sentenced to a hellish reform school in Jim Crow-era Florida. Winner of the 2020 Pulitzer Prize for Fiction.
As the story of the United States was recorded in pages written by white historians, early-nineteenth-century African American writers faced the task of piecing together a counterhistory: an approach to history that would present both the necessity of and the means for the liberation of the oppressed. In Liberation Historiography, John Ernest demonstrates that African Americans created a body of writing in which the spiritual, the historical, and the political are inextricably connected. Their literature serves not only as historical recovery but also as historical intervention.
The abolition of slavery after the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked 'a new birth of freedom' in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? Gates uncovers the roots of structural racism in our own time, while showing how African-Americans after slavery combatted it by articulating a vision of a 'New Negro' to force the nation to recognise their humanity and unique contributions to the United States.
The blaxploitation movement, which began in 1970 and flourished until 1975, is characterized by films that feature a black hero or heroine, black supporting characters, a predominately black urban setting, a display of black sexuality, excessive violence, and a contemporary rhythm and blues soundtrack. Blaxploitation films were made across varying genres, but the questionable elements of some of the pictures caused them to be referred to as "blaxploitation" films with little or no regard given to their generic categorization. This book examines how Cotton Comes to Harlem (1970), Blacula (1972), The Mack (1973), and Cleopatra Jones (1973) can be classified within the detective, horror, gangster, and cop action genres, respectively, and illustrates the manner in which the inclusion of "blackness" represents a significant revision to the aforementioned genres.
Antiracism Inc. traces the ways people along the political spectrum appropriate, incorporate, and neutralize antiracist discourses to perpetuate injustice. It also examines the ways organizers continue to struggle for racial justice in the context of such appropriations. Antiracism Inc. reveals how antiracist claims can be used to propagate racism, and what we can do about it.