April is National Poetry Month, a time to celebrate the beauty, depth, and impact of poetry in our lives. Established in 1996 by the Academy of American Poets, National Poetry Month aims to encourage the appreciation of poetry in all its forms. Whether you are an avid reader, a writer, or new to the world of poetry, this month provides an opportunity to explore the diverse voices, styles, and themes that poetry offers.
Throughout April, readers and writers across the world engage in various activities, from reading and writing poetry to attending events and workshops. Schools, libraries, and literary organizations often host events that encourage people of all ages to connect with poems that inspire them.
Find out more about National Poetry Month at the link below:
Finalist for the National Book Award and National Book Critics Circle Award A Best Poetry Book of 2015: New York Times and Buzzfeed Bright Dead Things examines the chaos that is life, the dangerous thrill of living in a world you know you have to leave one day, and the search to find something that is ultimately "disorderly, and marvelous, and ours." A book of bravado and introspection, of 21st century feminist swagger and harrowing terror and loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the various ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love. Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a "huge beating genius machine" striving to embrace and understand the fullness of the present moment. "I am beautiful. I am full of love. I am dying," the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds, and Mark Doty, Limón's work is consistently generous and accessible--though every observed moment feels complexly thought, felt, and lived.
Joy Harjo is a powerful voice for her Creek (Muscogee) tribe ("a stolen people in a stolen land"), for other oppressed people, and for herself. Her poems, both sacred ad secular, are written with the passions of anger, grief, and love, at once tender and furious. They are rooted in the land; they are one with the deer and the fox, the hawk and the eagle, the sun, moon, and wind, and the seasons - "spring/ was lean and hungry with he hope of children and corn." There are enemies here, also lovers; there are ghost dancers, ancestors old and new, who rise again "to walk in shoes of fire." Indeed, fire and its aftermath is a constant image in the burning book. Skies are "incendiary"; the "smoke of dawn" turns enemies into ashes: "I am fire eaten by wind." "Your fire scorched/ my lips." "I am lighting the fire that crawls from my spine/ to the gods with a coal from my sister's flame." But the spirit of this book is not consumed. It is not limited by mad love or war, and "there is something larger than the memory/ of a dispossessed people." That something larger is, for example, revolution, freedom, birth.
Joy Harjo is a "poet-healer-philosopher-saxophonist," and one of the most powerful Native American voices of her generation. She has spent the past two decades exploring her place in poetry, music, dance/performance, and art. Soul Talk, Song Language gathers together in one complete collection many of these explorations and conversations. Through an eclectic assortment of media, including personal essays, interviews, and newspaper columns, Harjo reflects upon the nuances and development of her art, the importance of her origins, and the arduous reconstructions of the tribal past, as well as the dramatic confrontation between Native American and Anglo civilizations.
From Sadness and Happiness: Poems by Robert Pinsky: CEREMONY FOR ANY BEGINNING Robert Pinsky Against weather, and the random Harpies--mood, circumstance, the laws Of biography, chance, physics-- The unseasonable soul holds forth, Eager for form as a renowned Pedant, the emperor's man of worth, Hereditary arbiter of manners. Soul, one's life is one's enemy. As the small children learn, what happens Takes over, and what you were goes away. They learn it in sardonic soft Comments of the weather, when it sharpens The hard surfaces of daylight: light Winds, vague in direction, like blades Lavishing their brilliant strokes All over a wrecked house, The nude wallpaper and the brute Intelligence of the torn pipes. Therefore when you marry or build Pray to be untrue to the plain Dominance of your own weather, how it keeps Going even in the woods when not A soul is there, and how it implies Always that separate, cold Splendidness, uncouth and unkind-- On chilly, unclouded mornings, Torrential sunlight and moist air, Leafage and solid bark breathing the mist.
Bruce Weber in the New York Times called Billy Collins "the most popular poet in America." He is the author of many books of poetry, including, most recently, The Rain in Portugal: Poems. In 1988 the University of Arkansas Press published Billy Collins's The Apple That Astonished Paris, his "first real book of poems," as he describes it in a new, delightful preface written expressly for this new printing to help celebrate both the Press's twenty-fifth anniversary and this book, one of the Press's all-time best sellers. In his usual witty and dry style, Collins writes, "I gathered together what I considered my best poems and threw them in the mail." After "what seemed like a very long time" Press director Miller Williams, a poet as well, returned the poems to him in the "familiar self-addressed, stamped envelope." He told Collins that there was good work here but that there was work to be done before he'd have a real collection he and the Press could be proud of: "Williams's words were more encouragement than I had ever gotten before and more than enough to inspire me to begin taking my writing more seriously than I had before." This collection includes some of Collins's most anthologized poems, including "Introduction to Poetry," "Another Reason Why I Don't Keep a Gun in the House," and "Advice to Writers." Its success over the years is testament to Collins's talent as one of our best poets, and as he writes in the preface, "this new edition . . . is a credit to the sustained vibrancy of the University of Arkansas Press and, I suspect, to the abiding spirit of its former director, my first editorial father."
A compelling second collection of poetry.
Over the past decade, Billy Collins has emerged as the most beloved American poet since Robert Frost, garnering critical acclaim and broad popular appeal. Annie Proulx admits, "I have never before felt possessive about a poet, but I am fiercely glad that Billy Collins is ours."This special, limited edition celebrates Billy Collins's years as U.S. Poet Laureate. Questions About Angels--one of the books that helped establish and secure his reputation and popularity during the 1990s--is remarkable for its wry, inquisitive voice and its sheer imaginative range. Edward Hirsch selected this classic book for the National Poetry Series, and each of Collins's poems-from his meditation on forgetfulness to his musings on the behavior of angels-is an exploration of imaginative possibilities. Whether reading him for the first time or the fiftieth, this collector's edition is a must-have for anyone interested in the poet the New York Times calls simply "the real thing."
Winner of the 1999 Paterson Poetry PrizeOver the past decade, Billy Collins has emerged as the most beloved American poet since Robert Frost, garnering critical acclaim and broad popular appeal. Annie Proulx admits, "I have never before felt possessive about a poet, but I am fiercely glad that Billy Collins is ours." John Updike proclaims his poems "consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides."This special, limited edition celebrates Billy Collins's years as U.S. Poet Laureate. Picnic, Lightning--one of the books that helped establish and secure his reputation and popularity during the 1990s--combines humor and seriousness, wit and sublimity. His poems touch on a wide range of subjects, from jazz to death, from weather to sex, but share common ground where the mind and heart can meet. Whether reading him for the first time or the fiftieth, this collector's edition is a must-have for anyone interested in the poet the New York Times calls simply "the real thing."
Fifty Poems Fifty was first published in 1970.In this, the seventh volume of his poetry to be published, Reed Whittemore presents fifty poems, all making their first appearance in book form here.Commenting on this collection, John Malcolm Brinnin writes: “Whittemore has his own distinctive voice, his own spare, artfully simple way with a poem, and a grimly merry (or merrily grim) brand of wit that keeps a reader in a state of bemused expectation. His nonsense makes chilling good sense; and his poems inspired by affections are straightforward, touching, and without a twinge of sentimentality.A poet, critic, and editor, Mr. Whittemore was given outstanding recognition in 1969 when he received a major literary award from the National Council on the Arts. In presenting the award the council cited his “lifelong contribution to American letters.”The University of Minnesota Press has published two other collections of Reed Whittemore’s poetry, Poems, New and Selected and An American Takes a Walk.
Little Magazines - American Writers 32 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Averno is a small crater lake in southern , regarded by the ancient Romans as the entrance to the underworld. That place gives its name to Louise Glück’s eleventh collection: in a landscape turned irretrievably to winter, it is the only source of heat and light, a gate or passageway that invites traffic between worlds while at the same time opposing their reconciliation. Averno is an extended lamentation, its long, restless poems no less spellbinding for being without plot or hope, no less ravishing for being savage, grief-stricken. What Averno provides is not a map to a point of arrival or departure, but a diagram of where we are, the harrowing, enduring presence. Averno is a 2006 National Book Award Finalist for Poetry.
Winner of the Nobel Prize in Literature In Vita Nova, Pulitzer-Prize winning poet Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that shape and thwart it Since Ararat in 1990, Louise Glück has been exploring a form that is, according to the poet, Robert Hass, her invention. Vita Nova--like its immediate predecessors, a booklength sequence--combines the ecstatic utterance of The Wild Iris with the worldly dramas elaborated in Meadowlands. Vita Nova is a book that exists in the long moment of spring: a book of deaths and beginnings, resignation and hope; brutal, luminous, and far-seeing. Like late Yeats, Vita Nova dares large statement. By turns stern interlocutor and ardent novitiate, Glück compasses the essential human paradox. In Vita Nova, Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that thwart and shape it.
"Even present tense has some of the grace of past tense, / what with all the present tense left to go." From Max Ritvo--selected and edited by Louise Glück--comes a final collection of poems fully inscribed with the daring of his acrobatic mind and the force of his unrelenting spirit. Diagnosed with terminal cancer at sixteen, Ritvo spent the next decade of his life pursuing poetry with frenetic energy, culminating in the publication of Four Reincarnations. As with his debut, The Final Voicemails brushes up against the pain, fear, and isolation that accompany a long illness, but with all the creative force of an artist in full command of his craft and the teeming affection of a human utterly in love with the world. The representation of the end of life resists simplicity here. It is physical decay, but it is also tedium. It is alchemy, "the breaking apart, / the replacement of who, when, how, and where, / with what." It is an antagonist--and it is a part of the self. Ritvo's poems ring with considered reflection about the enduring final question, while suggesting--in their vibrancy and their humor--that death is not merely an end. The Final Voicemails is an ecstatic, hopeful, painful--and completely breathtaking--second collection.
Still Can't Do My Daughter's Hair is the latest book by author William Evans, founder of Black Nerd Problems. Evans is a long-standing voice in the performance poetry scene, who has performed at venues across the country and been featured on numerous final stages, including the National Poetry Slam and Individual World Poetry Slam. Evans's commanding, confident style shines through in these poems, which explore masculinity, fatherhood, and family, and what it means to make a home as a black man in contemporary America.
A Poetry Journal to Poem Your Days Away! Don't wait for inspiration to strike! Whether you're an aspiring or published poet, this book will help you get in a frame of mind to make creative writing a consistent part of your life. With prompts from Robert Lee Brewer's popular Writer's Digest blog, Poetic Asides, you'll find 125 ideas for writing poems along with the journaling space you need to respond to the prompt.
In a long sequence of prose poems, questionnaires, and standardized tests, The Boy in the Labyrinth interrogates the language of autism and the language barriers between parents, their children, and the fractured medium of science and school. Structured as a Greek play, the book opens with a parents' earnest quest for answers, understanding, and doubt. Each section of the Three Act is highlighted by "Autism Spectrum Questionnaires" which are in dialogue with and in opposition to what the parent perceives to be their relationship with their child. Interspersed throughout each section are sequences of standardized test questions akin to those one would find in grade school, except these questions unravel into deeper mysteries. The depth of the book is told in a series of episodic prose poems that parallel the parable of Theseus and the Minotaur. In these short clips of montage the unnamed "boy" explores his world and the world of perception, all the while hearing the rumblings of the Minotaur somewhere in the heart of an immense Labyrinth. Through the medium of this allusion, de la Paz meditates on failures, foundering, and the possibility of finding one's way.
Winner of the 2015 National Book Award.
Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self.
Permutations of a Self grapples with issues of belonging and connection, all from the perspective of someone who does a lot more observing and ruminating than living in the present. Most of the poems draw from Nguyen's imperfect memory of himself and others as it changes throughout time. In many ways, the poet feels like an outsider in his own family because he has gradually forgotten how to speak Vietnamese, his native language that he once knew so well. The poems in this manuscript are as much about coming to terms with that as they are about trying to reconcile what it means to be a part of his family. Interspersed throughout are threads connecting the poet to each one of his family members. They are the moments he turns back to again and again when he is lonely, confused, or unsure about where he comes from and where he is going.
The poems in this volume are electric with energy and rich with linguistic invention. Anna Rabinowitz's voice, which ranges from reflective to prophetic, from passionate to wry, shapes and reshapes language to complete the partial, retrieve the lost, and salvage what remains when the human body and the bodies of family, culture, and history threaten to collapse. These are poems that confront loss and celebrate survival in a world that is "context and collage, icon and diehard, push and pull, conceived and holding on."
A transcendent account of the effects of breast cancer.